![]() ![]() Sixteen inputs (offered as both XLR and D-sub connectors), two insert points on XLR, and both main and monitor outputs on XLR are found on the console's rear panel. A graduated master output-level trim control may be set anywhere from -4 to +6 dB to the right of the control knob on the front panel. An additional button on the rear of the unit allows you to enter stereo outboard processing directly into the mix bus via the I/O. On the mix bus, there is an additional processor called X-Former.Ī total of three knobs are used to control the output level of each processor. Additionally, these can be patched to the mix bus, and their order reversed. Harmonics and Paralimit are two onboard audio processors (you may call them "tone processors") that you can activate by pressing a button on channels 13-14 or 15-16. Channels 1-2 and 9-10 can be switched into mono mode using the two mono buttons located below the video screen. A signal-present indication is provided on the front panel for each of the eight channels. The 2-Bus LT measures 2U by 19 inches by 16 channels in terms of physical dimensions. The 2-Bus LT gets 16 analog outputs from any DAW interface and converts them to stereo much like traditional antique consoles did when combining various streams of music. ![]() It serves as an audio bridge between computer-based recording and analog outboard gear, allowing the best of both worlds to come together in one package. Using analog summing also allows many converter channels to share the burden, reducing strain on them and enhancing their efficiency- much like using a 16 lane motorway instead of only two lanes on the freeway! Its outstanding summing circuits will provide all the headroom you need, as well as a wide sound field so that your mixes will shine brightly in the studio.Īn inert mix can be brought back to life with the Dangerous 2-Bus LT 16x2 summing device. You also get a highly concentrated and solid center image inside all of that expansive sound. The bass is powerful and engaging, while the treble and mids are articulate and fascinating. It creates a wide and precise stereo field, and reverbs are vast and deep. This amplifier offers sixteen channels of clean analog summing, the dual stereo outputs to feed both your monitoring chain and your mix route, and an expansion connector that allows you to join any of the summing mixers together to add even more channels to your system!īecause the active electronics in the 2-BUS LT produce "a huge soundstage," "holographic sound," and "audible three-dimensionality," users of Dangerous describe the 2-BUS LT as having "a huge soundstage," "holographic sound," and "audible three-dimensionality" in comparison to passive summing boxes that require massive amounts of make-up gain to restore lost audio or line mixers with volume and pan pot controls masquerading as "summing mixers." It is stripped of all non-essentials to deliver the world's best analog sound within reach of any musician or producer. ![]() Is a 16x2 summing amplifier that helps users achieve superior mix performance by utilizing the equipment already in their studios.Ģ-BUS LT is built using award-winning active summing electronics. The Dangerous Music 2-BUS LT Summing Mixer
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |